Cyborg Parfum: The Ghost in the Shell by État libre d’Orange


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Cannabalistic gourmand.

French perfume house État libre D’Orange offers an impressive library chock-full of whimsy and ironic flair. The brand passionately drives forward notions of freedom and individuality—and perhaps hedonism; they’re French, after all. They are also so unserious as a brand, which I love. They even have a perfume inspired by the infamous freak Marquis de Sade.

The behind the scenes story of this perfume gets a little complicated, so stay with me here. The Ghost in the Shell—both the perfume and the manga by Masamune Shirow— was inspired by the 20th-century sci-fi novel Hyperion by Dan Simmons, who was inspired by the work of French philosopher and theologian Pierre Teilhard de Chardin. The nose behind this perfume, Etienne de Swardt, swept all that up and put it in a bottle. Basically, these guys are all in a circle jerk about futurism—if you don’t get it, just ask any man you know and he can explain.

Fantasies of flesh and machine synthesis are a tale as old as time, but they used to be way cooler. Elon Musk wishes his freakazoid autistic ass could come up with something as cool as this fragrance. Hyperion is on my reading list, but based on my preliminary research, it is an impressive mind fuck to create a rather simplistic scent based on such a roller coaster of a book. Then again, the ingredients in this formula are far from uncomplicated.

One of the top notes, Aqual™, is a member of the aldehyde family used to diffuse and enhance aquatic-floral qualities. Aqual is trademarked by MANE Biotech, one of the world’s leading fragrance houses. Yes, you can own a molecule!

Photo courtesy of MANE Biotech.

“This is the act of birth that makes the spirit of perfume. The rest is poetry to live on the skin.”
—Etienne de Swardt

When you think of science fiction, you might think of smoke or metallic notes, but this has neither. This begs the question: What does a cyborg-ridden futuristic society smell like? Not only the olfactory details, but what kind of imagery does it conjure up for you?

People have shared their discontent by explaining that all they get is a clean, soapy scent. All I can say about that is: try harder. It absolutely does have a soapy, lotiony quality to it, but there is so much more going on. This isn’t your average squeaky-clean, musk, Glossier You–esque perfume.

The note breakdown in The Ghost in the Shell is as follows:

Top: Aqual™, Yuzu and Hexyl acetate

Middle: Milk, Skin, Jasmine and Mugane

Base: Orcanox™, Vinyl Guaiacol and Moss

In the product description, de Swardt emphasizes his goal of illustrating the wonder of biotech and natural materials coexisting. He boils this down to a finer world, one where milky skin merges with cold, sterile matter. In this universe, tech is so well integrated it is not visible to the naked eye. It spreads like a fog, blanketing every inch of the world.

When I was a kid, I used to hold my arm out the car window and let the air graze my skin. I would sniff my arm afterward because I loved the way my skin smelled after the wind had been on it for a while. It’s sweet, nutty, mildly lactonic. A cannibal would call it gourmand.

The present day means the warm, familiar promise of corporeal condition, while the future teases a complete unknown for our bodies. All we can do is imagine, which turns out to be something humans love to do and which has given way to countless impeccable pieces of media and art.

The one thing we can be certain of is that matter of some kind will always exist—and have a distinct scent—even if there are no noses around to smell it. Unless, of course, the cold expanse of our universe somehow gets rewound back into nothingness—null, none—not-scent.

What does not-scent smell like? One of my favorite things to do is try to imagine what outer space smells like. Do you think the moon and the sun smell similar? The fact that I will never get to smell the sun one day makes me more upset than I should admit.